Composer and Sound Designer
Cliff Caruthers has created soundscapes and original music for over 200 theatrical productions, including Pelleas & Melisande, Macbeth, Death of the Last Black Man in the Whole Entire World, and many others for The Cutting Ball Theater. Other credits include The Homecoming, Race, The Caucasian Chalk Circle, November, and Brainpeople for A.C.T.; Troilus and Cressida for Oregon Shakespeare Festival; The Tempest and The Seagull for California Shakespeare Theater; Circle Mirror Transformation and 9 Circles for Marin Theatre Company, Crime and Punishment and TRAGEDY: a tragedy for Berkeley Repertory Theatre; The Elaborate Entrance of Chad Deity for Aurora Theatre, Happy Days for Guthrie Theater; Julius Caesar for The Acting Company; On the Waterfront and Buried Child for San Jose Stage Company; and Bug and Dead Man’s Cell Phone for SF Playhouse. Future projects include the world premieres of Dead Metaphor at A.C.T., Our Practical Heaven at Aurora Theatre, and Krispy Kritters in the Scarlett Night at The Cutting Ball Theater.